How old is yang kun

The popularity of this track was widespread, to the point that has been viewed by over two million users in YouTube. Apart from his usual activities as a singer, Yang Kun not only started appearing in many shows and programmes, but he also returned to the film industry, after an unsuccessful attempt seven years before.

In , Yang took part in the film Lost in Panic Cruise, directed by Zhang Fangfang; the movie was a highly successful psychological thriller both critically and commercially. The third album by Yang Kun, which had the title of , was released in It had a Pop-Rock style, similar to his previous works, although, this time, the singer incorporated ethnic instruments, and vocals from Inner Mongolia, the region where he was born.

Although the sales of this album and his concerts were successful, the singer was not comfortable enough with his record label. That fact also coincided with many personal problems in the life of the performer, who suffered from depression.

In , Yang, started expanding his influence to other branches of entertainment debuting for first time as an actor in the indie film 13 Months, which was not very successful. In fact, this film has never been released for unknown reasons. Anyway, the popularity of the singer kept on rising and was awarded, once again, in the Eastern Billboard Awards, this time in the category of Most popular Mainland Chinese Male singer. In , the singer released his second album, entitled That Day, this release was known by the song "The moon represents my heart", in reference to the song of the same name by Teresa Teng , which was a great hit in China.

The song also showed Yang's ability to sing love ballads apart from his previous songs. The same year, Yang Kun was priced for first time with a silver medal in the Eastern Billboard Awards ceremony in the category of "Best original song", for his track "Indifferent".

Yang Kun joined Baotou Steel Company art troupe in In Yang went to Beijing to start his musical career. He signed a contract with the record label, Beijing Culture Development.

But deep inside them there's a feeling of despair. Did you have some complicated experiences in your spiritual and daily life? Y: I'm not sure whether my experience was complicated or not. But I care a lot about what other people think of me, and of my music in particular. As a young man with dreams, I don't want to give up easily. I always try to find some hope for myself.

So the psychology in my music appears paradoxical. Q: Sanbao was one of the Chinese mainland's earliest songwriters for singers from Hong Kong and Taiwan. But he gave up. The reason, as he explained it, was that "the music from Hong Kong and Taiwan was too poor, and it's not real music. Y: I think his comment is reasonable. The mainland music is like wine, which becomes more fragrant as time passes by. It can give you a lot of aftertaste.

Of course, not all music from the mainland is like that. On the other hand, the Hong Kong and Taiwan music is like fast food. Certainly their market mechanism for pop music is more advanced than the mainland's. But a musician can easily lose his or her talent and inspiration under that system. To meet the market demand, a musician there could release quite a few discs within a single year that hardly have any characteristics.

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