Why does andy sixx like batman

It's such an interesting book and just the concept of a myriad of different Batmans and different eras being in this multiverse situation where there are all these different planes of existence and different representations of the character. It was a lot of fun to watch that all play out and see how my characterization of Batman, as the traditional Earth-1 Batman, how that played in with Darkseid Batman and all these representations. I think the biggest thing for me was to just be able to lend what I saw as a traditional voice styling for the character.

This isn't to say I haven't had the opportunity to work with incredible people, I've had quite a few, fortunately, but those moments where you walk into a situation and you just know that the people you're working with are better than you at what they're doing, to me, that's an exciting feeling. That's not to say that I don't meet a lot of people who are better than me but the moment where you walk into something and this person has a skillset where, even if I tried, I couldn't get to.

Who they are as an artist is so uniquely talented and interesting that you can just try to sit back and take in what's there and learn some information on a collaborative level for what to do in a space within it. Being able to work with Tyler and Maria is a masterclass, people that really know what the fuck they're doing and are just a joy to work with. I'm used to my own kind of world-building and creating characters, whether it's for comic book series or records, so to be able to step into something where I'm just serving as a vessel for characters and the sonic world that has already been created.

It was just a fun experience for me because it was nice to be able to just step back as opposed to be the impetus for the start of something. As someone that's gotten to branch out and do comics yourself, with Z2 Comics and Black Veil Brides, what do you find personally and creatively fulfilling in that medium that you can't necessarily get on stage or on a record?

A lot of it just comes down to your interests. For me, because that's my point of view since I've been reading comics since I was so young, I see the world of art through that lens. To be able to work through that style of art that I relate to is just thrilling. You can point to the Adam West version of the character and Frank Miller 's Dark Knight Returns version and they're both wildly different but both valid versions.

The thrill is, especially with the "Blackbird" and Phantom Tomorrow series that we're doing with Incendium, we're able to create a character that you can put through time with all these different iterations. Part of the joy of creating a comic book character is to have this thing that is unstuck from time. Music -- regardless of whether your best effort is to make something that is timeless, that's what everybody wants -- ultimately is going to be a product of when it was released.

When you listen to something thirty years after it comes out and say that really holds up, it's still a record that came out thirty years ago. In the capacity of comic book characters, the character and iconography of the character, particularly the most successful ones, exist throughout time.

Maybe the stories feel antiquated, but when you read a Comics Code Batman where he's a zebra, the character remains as Batman. That character still exists and you can drive to a comic shop and pick up a modern Batman story and it's the same character as those different versions. Music is the thing I most closely identify with but a record that was done by a band forty years and one done today.

They're different bands. They may have the same name and everything else but they're real people whose lives, circumstances and abilities have changed. With a fictitious character like Batman or Superman , they have not been burdened by reality and can be placed in different eras in time and validities. This is true for other genres but it's so apparent in metal: What makes metal lend itself so well to lyrical storytelling?

For lack of a better term, what people call epic. The fact that you have, particularly power metal and these other genres, the goal is to make something massive. The symphonic elements of metal that some people don't necessarily understand are hugely important. Maybe someone listens to Metallica and doesn't understand how symphonic that is and how the structure of those songs lend itself so well to this large-scale storytelling and world-building.

There are more overt things, like with Ronnie James Dio you know this is about dragon-slaying but, in many cases, just the idea of heavy metal and hard rock is so operatic and larger-than-life.

On a personal level, those of us who feel like we're outcasts from society or that we don't fit in, those things are part and parcel. Those fantasy worlds and finding a way to get out of the drudgery of the world you exist in on the real plane of life, to find a world you can escape into in heavy metal, comic book and action figure collecting, whatever it is, those are all things that have that escapism and brings these things together in a unique way.

If the world outside doesn't understand, it doesn't matter because there's this world inside that I can live in, read, and be about to feel safe.

I'm going to put you on the spot. You're stuck on a desert island, what are your go-to Batman comic book stories? I've been revisiting a lot of older stories that I haven't read in years. I haven't read the complete "Hush" collection in a long time and I forgot how awesome it is.

I love stories that take a character that you don't associate with as one of the top-tier rogues gallery -- maybe I'm wrong but I'd never see Riddler as top-tier -- and a story like "Hush" makes them, not only a real threat but something up in that top-tier.

On a personal level, "Knightfall," "Knightsend," and "Knightsquest" are all so important to me and because there are so many [issues] in those. You could probably live off of those.

I also enjoyed the early s, bringing back Jason Todd. If I had to pick two, I would say all of "Knightfall" and "Hush. The Long Halloween , Dark Victory. We literally have a framed Long Halloween concept sketch in our living room. How does it feel to go out on the road with your collaborator on this project, Maria Brink? It's the incredible feeling of getting to do the thing I'm supposed to do. It's sort of this weird thing where, as a musician who's been doing this a long time, I've spent the last twelve years of my life spending eight to nine months of the year on the road playing shows and connecting with people in a one-to-one way and then it was just gone.

You figure out how to reassemble your creative life in some way and it's almost like being able to exhale -- going back to the thing that is the most inspiring and unique part of being a musician. One place, The Dent School House, was where the janitor had supposedly gone on a murderous rampage, killing several children and stuffing their bodies into lockers. But still, the singer admits his curiosity got the better of him and he decided to see if Dunham had a dark past.

Unfortunately for him, it did. Dunham had indeed been a hospital, dating back to the s, specialising in the treatment of people with tuberculosis. It is, without question, the most ambitious record Black Veil Brides have ever made. T here are some things that are impossible to avoid in life. Death and taxes are the widely cited examples, haemorrhoids less so, but you can add having a conversation with Andy Biersack without Batman raising his pointy ears to that list.

Or, more specifically, the overlapping areas between this iteration of the character and the world of The Phantom Tomorrow. Andy cracks a smile as K! Given this preference, Andy is thrilled by the prospect of The Flash, the forthcoming standalone outing for the lightning fast DC hero, which, thanks to its time travel storyline, will see Michael Keaton reprise his role as The Caped Crusader for the first time since Do they still hold onto those desires?

Do they resent having lived a life defined by anger? In my mind I was being facetious, but here we are, 10 years later, and people are still asking me if I want to smoke millions of cigarettes.

Ah, Andy Biersack and the subject of Led Zeppelin. The singer has covered this ground before, not because he specifically has an issue with Robert Plant, Jimmy Page and John Paul Jones, but because they represent a level of unimpeachable fame and quality he uses to illustrate how deep his loyalty to Black Veil Brides runs. This is, of course, a preposterous way to go about making a fairly straightforward point. Whether as the gobby whippersnapper of his 20 s or this refined renaissance man in his 30 s, Andy remembers what it was like to be doubted by everyone.

And that continued even when we found success. And it continues even now. Not the distant past, mind, but the heady days of when during a conversation with K! Coming from Andy, however, the notion stretches credulity for one key reason: for a guy who claims to dislike idol worship, he sure does a lot to invite it by portraying so many romantic figures.

This is, after all, the man who embodies Blackbird, the mysterious antihero at the heart of The Phantom Tomorrow, who even has his own titular theme tune on the album. So what gives? Andy is unfazed by this. Just when you sense Andy might be overdoing the polish on his halo, he adds some small-print to his mindset. Not so much out of a sense of modesty as an uncertainty about what constitutes a hero in the context of what he does for a living.